Quick review of the Sigma 85mm f1.4 lens with Bridal and Engagement pictures

As I mentioned in my last blog post, I purchased a new lens, the Sigma 85mm EX DG HSM f1.4.  This quick review is from using a full frame Nikon D700 camera with this lens. I typically only buy Nikon lenses, so I have some top of the line lenses to compare the Sigma too, such as the latest Nikon 24-70 f2.8.  Nikon’s high end lenses have incredible optics and lens coatings that really control typical problems like chromatic aberration and lens flare.  My main concern is taking the highest quality pictures possible, currently Nikon’s 85mm f1.4 lens is $1700 vs $1000 for the Sigma which is a nice difference, but the big problem is you just can’t buy Nikon’s version.  I checked all of Nikon’s authorized dealers and I just can’t find it in stock.  I had read really good reviews of the Sigma lens from photographers such as Ryan Brenizer that I really respect, so I decided I would give it a try.

First of all, the lens has beautiful Bokeh, or the nice smooth out of focus areas in the background and foreground.  At f1.4, you are going to get a very shallow depth of field, a very small area of the picture that is in focus.  However, different lenses even at the same aperture, can vary a lot in the quality of the out of focus area or Bokeh. The out of focus areas of a picture can be as important as the in focus areas. I included the first shot below, not as an example of a really good picture, but because I wanted to show the quality of the Bokeh.  If you notice there is very little flare from the sun, even in the harsh lighting conditions.  The spots of light coming through the trees have turned into beautiful rounded discs, this means there is a high quality rounded aperture.  Of course I knew the Bokeh would be nice from the reviews I had read.

Focus and handling of the lens is really something you need hands on time with to know if it works for you.  My Nikon lenses such as the 24-70 and 70-200 focus extremely fast on the Nikon D700 body.  I knew the Sigma would not be that fast, but I’m pleasantly surprised with how quickly and spot on it locks the focus.  I occasionally miss focus on a shot, but it always seems to be my fault. When you are shooting wide open at f1.4 you have to be really careful to keep your subject in focus, it’s almost impossible if they are moving.  I actually was more afraid of shooting at f1.4 than I should have been, almost all my shots had almost perfect focus, or at least close enough it looked good.

To sum up my quick review, so far I’ve found the Sigma to have excellent focus, beautiful Bokeh, and fast performance.  I haven’t tried it in low light yet such as at a wedding reception, so I will see how it goes.  But so far I’m more than happy with the results I’ve been getting.  I hope you enjoy some of the shots below, they were all shot with the Sigma 85mm wide open at f1.4.  I’ll update this after using the lens more this summer, so far it seems like an excellent addition to my always growing bag of gear.

Note: If the things I talked about in the post sound confusing, there are lots of links that explain everything.  You will learn a lot if you check them out.

Update to this article: A few days after I wrote this I actually found the Nikon version of this lens in stock at the Nikon store for $1699.  I ordered this and will likely be returning the Sigma.  Everything I said about the Sigma is true, it’s a fantastic lens.  So why did I get the Nikon?  It’s all about build quality.  I was getting frustrated at my recent wedding because it was raining and I knew the Sigma is not weather sealed.  While the picture quality is fantastic, I use my lenses so much and in such harsh conditions I decided I should go with the Nikon.  Nikon builds their high end lenses like a tank, and while the build quality of the Sigma is fine, I decided I would prefer the weather sealing of the Nikon.  But if you aren’t a pro, get the Sigma.  It’s great for normal use.

Example of Bokeh from Tamron Lens

This image is just here to show the quality of the Bokeh

Sunlight hitting the veil - Bridal Portrait - Myrtle Beach

Sunlight hitting the veil - Bridal Portrait - Myrtle Beach

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Fun engagement portraits and getting a new lens

I’ve had a lot of really nice engagement portrait sessions this winter.  The weather has been fantastic, I’ve noticed I had more work this winter then last year probably because of the nice weather.  I actually don’t have anything scheduled this weekend, but I have a couple of engagement session for the next.

I’m getting a new portrait lens the Sigma 85mm f1.4.  You might wonder why I’m not buying the Nikon version of this lens.  I almost exclusively use Nikon, my go to lenses the 24-70 f2.8 and 70-200 f2.8 are fantastic.  Ryan Brenizer, a photographer I really trust, reviewed the Sigma lens and really loved it.  With the problems in Japan, Nikon lenses are so expensive and hard to get right now, I just decided to go with the Sigma instead.  The reason I’m mentioning this, is this will probably be my new lens for engagement pictures, at least for many shots.  For example the Bokeh, or out of focus sun coming through the trees in the first image, with the 85mm prime lens at f1.4 would be much creamier and and softer.  It makes for a really amazing look.  It’s harder to use a prime lens of course, because you have to zoom with your feet.  Also accurate focus is critical when shooting at very wide apertures like f1.4.  I’m going to give the lens a good try and I’ll probably write a review myself as well.

The couple featured below was a lot of fun.  They haven’t set a date for the wedding yet, so I was just doing engagement pictures separately from the wedding.  They were very happy and couldn’t stop smiling at each other, it made for a lot of fun candid shots.  I hope you enjoy some of the pictures below.

Engagement portrait in front of the oak trees - Myrtle Beach State Park

Engagement portrait in front of the oak trees - Myrtle Beach State Park

Couple sitting on the oak tree in black and white. - Myrtle Beach State Park

Couple sitting on the oak tree in black and white. - Myrtle Beach State Park

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Backup strategies for a professional photographer ver. 2

A while back a wrote a post about my backup strategy, but I’ve changed my workflow significantly since then so I thought I needed to make an updated post.  This should be helpful to anyone trying to figure out how to keep the precious images, we as professional photographers take, safe from accidental loss or deletion.  Backup is one of the most important things a photographer needs to do.

First of all, I forget who said it, but if you don’t have a digital image in at least 3 places you don’t really have it.  You should have 3 copies of any picture you take, you also should have an offsite copy just incase your home or office is broken into or fire or something else destroys your hard drives.  This might seem like overkill, but trust me, things happen.  I once had to get some data from what I call my last resort offsite backup because of a stupid mistake on my computer.  It’s scary, I’m really glad I was making good backups.

My Workflow:

First of all, as soon as I get home from a shoot, I begin importing images into my Lightroom catalog and to the folder it creates on my hard drive.  I don’t have time in this post to go into my Lightroom workflow, but the images get placed into an organized by date folder on my drive.  Then I put the CF memory card to the side and I don’t delete it until all my backups have been made, typically by the next morning.

First Backup:

Data Robotics Drobo 4-Bay USB 2.0/FireWire 800 SATA Storage Array DR04DD10The important key to backing up is that it has to be automatic.  You will forget if you have to do it manually.  I use software called Sync Toy on my PC.   You can see how to automate the software here.  Automatically each night, Sync Toy copies any new or changed images from my working hard drives inside my PC over to my Drobo.  This way I have my original working copy on my fast internal raid 0 array, plus an extra copy on my Drobo.  The Drobo is much slower but provides the additional protection that a drive can fail and be replaced without any loss of data.  I can’t go into what a Drobo is here, but you can check out their website.

Offsite Backup:

So now we have 2, and essentially 3 copies of the pictures because the Drobo provides protection from a hard drive failure itself.  What about the offsite backup? In the past I would just occasionally put a copy of all my images on an external hard drive and store it somewhere offsite, but this is a pain and it doesn’t get updated frequently enough.

Why Carbonite doesn’t work:

I’ve tried various services like Carbonite that promise unlimited offsite backup.  This doesn’t work for a pro photographer!  Here is why.  I have a new Docsis 3.0 internet connection with 5mbps up, so technically I have plenty of bandwidth to upload as many files as I need quickly.  The problem is, at first Carbonite works very fast.  However, after around 50gb of storage, they start to slow down your uploads so much that it becomes very difficult to keep up with incoming images even if backing up constantly day and night.  After 200gb they slow you down to 100kbps, so you are pretty much done at that point.  So even though they claim unlimited backup, they slow you down so much that it’s not practical.  I always wondered how they got unlimited storage for $60 a year, now I know.

Amazon S3 to the rescue:

I signed up for the Amazon S3 service.  This gives you storage space on Amazon’s servers that you can use as much and as fast as you want, they just charge you per GB of storage.  If you use their reduced redundancy storage option, which is still 99.9% reliable, plenty for a 3rd offsite backup, it cost about $10 per 100GB per month.  This might seem like something very complicated, but if you get software called Cloudberry Backup for about $30 it steps you through the process and automates the backups.  With the Cloudberry software, every night any new pictures I’ve imported, are automatically uploaded and backed up to the Amazon S3 service.  S3 is so fast that I can backup a whole wedding’s worth of raw images overnight.  What I’m going to do so the cost doesn’t get too high, I’m still going to keep my offsite physical hard drive backup and update it every few months.  My latest 500GB or so of pictures I’ll keep backed up on Amazon S3 which will cost around $50 per month.

Now if you really want to get fanatical, like I am, you can also get a fireproof safe and keep a 4th backup copy in there as well.  Hard drives are so cheap now it doesn’t hurt.  So to sum it up, Microsoft Sync Toy automatically copies any new pictures to my Drobo.  The Cloudberry Backup automatically uploads all new images to Amazon S3 overnight.  You would really have to try hard to find a way to lose images using this system.  I hope this helps!   Let me know if it does or if you have any suggestions below.

Understanding Manual Flash

There is a great video I found at CameraDojo.com explaining controlling manual flash. You have to understand the basics of shutter speed and aperture for this to mean anything, but it helps to simplify what is a really confusing subject.  When I’m using flash to actually light a scene, and not for fill light, I almost always shoot with the camera on manual and the flash on iTTL. This get’s me pretty close to what I want most of the time, but any time a camera has something on auto it’s going to give variable results. I always get close enough that with a little adjustment in Lightroom it’s perfect, but ideally it’s nice not to have to adjust a picture in post at all. I think I’m going to try setting my flash on manual more of the time and see if I can get my results even more consistent.